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In Iris Murdoch's novel, The Bell (1958), an art student named Dora Greenfield bought "big multi-coloured skirts and jazz records and sandals". However, as Britain emerged from post-war austerity, some Bohemian women found influences from continental Europe, adopting, for example, the "gamine look", with its black jerseys and short, almost boyish hairstyles associated with film actresses Audrey Hepburn (Sabrina, 1954, and as a "Gréco beatnik" in Funny Face, 1957) and Jean Seberg (Bonjour Tristesse, 1957 and A bout de souffle, 1960), as well as the French novelist Françoise Sagan, who, as one critic put it, "was celebrated for the variety of her partners and for driving fast sports cars in bare feet as an example of the free life". In 1961 Fenella Fielding played "a mascara-clad Gréco-alike" in The Rebel with comedian Tony Hancock, while, more recently, Talulah Riley replicated the look for scenes in ITV's 2006 adaptation of Agatha Christie's The Moving Finger, set in 1951.
^ Tasmanian-born Davis was in her early 40s when she played Phryne Fisher, though the heroine of the books was only as old as the century (28 in 1928). Other recent examples of the 1920s style bob have included Gemma Arterton in St. Trinian's (2007) and Michelle Dockery as Lady Mary Crawley in the 5th series of ITV's Downton Abbey (2014), the latter set in 1924.
This 16" Silver Tone Brass and Pewter Round Hoop Necklace will complement any skin complexion. Brass jewelry is great for the summer. Our round hoops are linked together offering a harmonious and positive style and outlook. This handcrafted 16" Adjustable Necklace is sure to make a perfect affordable gift for a loved one. This style will inspire a “coexist peacefully” attitude and is popular amongst the boho chic, whimsical like-minded fashionistas.
In the mid-to-late 1980s, variants of the short and fundamentally un-Bohemian rah-rah skirt (which originated with cheerleaders) were combined with leather or demin to create a look with some Bohemian or even gothic features (for example, by the singing duo Strawberry Switchblade who took inspiration from 1970s punk fashion). In the 1990s the term, "hippie chic", was applied to Tom Ford’s collections for the Italian house of Gucci. These drew on, among other influences, the style, popular in retrospect, of Talitha Getty (died 1971), actress wife of John Paul Getty and step-granddaughter of Dorelia McNeil, who was represented most famously in a photograph of her and her husband taken by Patrick Lichfield in Marrakesh, Morocco in 1969. Recalling the influx of hippies into Marrakesh in 1968, Richard Neville, then editor of Oz, wrote that "the dapper drifters in embroidered skirts and cowboy boots were so delighted by the bright satin '50s underwear favoured by the matrons of Marrakesh that they wore them outside their denims à la Madonna [the singer] twenty-five years later".
Jane Morris, who was to become Rossetti's muse, epitomised, probably more than any of the women associated with the pre-Raphaelites, an unrestricted, flowing style of dress that, while unconventional at the time, would be highly influential at certain periods during the 20th century. She and others, including the much less outlandish Georgiana Burne-Jones (wife of Edward Burne-Jones, one of the later pre-Raphaelites), eschewed the corsets and crinolines of the mid-to-late Victorian era, a feature that impressed the American writer Henry James when he wrote to his sister in 1869 of the bohemian atmosphere of the Morrises’ house in the Bloomsbury district of London and, in particular, the "dark silent medieval" presence of its chateleine:
Around 1926 an even shorter style, known as the "Eton crop", became popular: on her arrival in Tilling (Rye) in E F Benson's comic novel Mapp and Lucia (1931), Lucia described "Quaint" Irene as "a girl with no hat and an Eton crop. She was dressed in a fisherman's jersey and knickerbockers". (In the same book, Miss Mapp frequently – and topically – addressed Lucia, to her irritation, as "Lulu".) For many years trite assumptions were often made about the sexuality of women with cropped hairstyles; an historian of the 1980s wrote of the Greenham Common "peace camp" in England that it "brought public awareness to feminist separation and even to lesbianism, hitherto seen in the mass media – when acknowledged at all – either in terms of Eton-cropped androgyny or of pornographic fantasy". Even so, others have drawn a stark contrast between the bohemian demeanour of the Greenham women and the "bold make-up and power-dressing" that tended to define women's fashion more generally in the 1980s (the so-called "designer decade").
Vintage style Native American inspired jewelry and Bohemian chic at its best! The perfect way to dress up your favorite look. Unique polished pewter tone feathers paired with faceted metal bead figaro chain and embellished with a delicate silver glass bead. This Native American inspired vintage drop earrings set is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas. Let your free spirit fly with these bohemian feather earrings. It’s a perfect way to express your cr...
The birdsnest girls like to think of themselves as your wardrobe wingbirds! Our mission is to solve women’s wardrobe dilemmas by providing personalised styling advice, express delivery, styled outfit inspiration, above-and-beyond customer service, no hassle returns and a vast range of brands and sizes for all body shapes, both online and in-store. We want you to find and LOVE your own style. Our little Nest is based in the Snowy Mountains town of Cooma, NSW where our family owned business now employs around 140 local birds!