Very cute top. I chose the white/blue in a size L, could have gone M but I would give up length. It is a tunic on me (Im 5'10) like on the model. I have not washed it yet. It is soft and no weird smell so I wore it right out of the bag. I will be careful and hand or gentle gentle cycle wash it, line dry. Would buy again and I think I will in another color.

Free People, a specialty women’s clothing brand, is the destination for bohemian fashion that features the latest trends and vintage collections for women who live free through fashion, art, music, and travel. The brand offers a wide range of products from apparel (think: jeans, leather jackets, sweaters, crop tops, maxi skirts and more), to accessories, intimates, outerwear, shoes, intimates, swimwear, activewear, and beauty – all reflecting a high level of quality, invoking attributes of femininity, spirit, and creativity in its design, while creating the perfect festival clothing. Known for its playful femininity, the brand is a destination for party dresses, black dresses, wrap dresses, minis and maxis.
This bag is beautiful! However, it was inexpertly sewn. When I put my hand inside I noticed that the lining was not intact, and part of it had been attached to the bottom seam of the bag. Easy enough to fix: I turned the bag inside out, detached the "caught" portion of the lining, and mended the lining's seam. I also removed the beads at the bottom. They were superfluous. Now it's perfect!
Vintage style Bohemian chic jewelry at its best! The pewter tone semi-hoops perfectly hold the tiny floral detailed patterns, sculpting the pair for an overall boho chic look. This vintage inspired vintage floral hoops earrings set is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas. Let your free spirit fly with these bohemian pewter earrings. It’s a perfect way to express your creativity and it’s a great addition to accessorize your wardrobe. It will inspire yo...
New York's Greenwich Village, which, since the late 19th century, had attracted many women with feminist or "free love" ideals,[84] was a particular magnet for bohemians in the early 1960s. Bob Dylan's girl-friend Suze Rotolo, who appeared with him on the cover of his second album The Freewheelin' Bob Dylan (1963), recalled that the Village was "where people like me went – people who didn't belong where they came from .. where the writers I was reading and the artists I was looking at had lived or passed through".[85] These "beatniks" (as they came to be known by the late 1950s) were, in many ways, the antecedents of the hippie movement that formed on the West Coast of the USA in the mid-1960s[86] and came to the fore as the first post-war baby-boomers reached the age of majority in the "Summer of Love" of 1967. The Monterey Pop Festival was a major landmark of that year, which was associated with "flowerpower", psychedelia, opposition to the Vietnam war and the inventive music and flowing, colourful fashions of, among others, Jimi Hendrix, the Mamas & the Papas, Jefferson Airplane and the British group, The Beatles, whose album, Sgt. Pepper's Lonely Hearts Club Band, is said to have caused the guru of psychedelia, Timothy Leary, to remark that "my work is finished".[87]
Jane Morris, who was to become Rossetti's muse, epitomised, probably more than any of the women associated with the pre-Raphaelites, an unrestricted, flowing style of dress that, while unconventional at the time, would be highly influential at certain periods during the 20th century.[7] She and others, including the much less outlandish Georgiana Burne-Jones (wife of Edward Burne-Jones,[8] one of the later pre-Raphaelites), eschewed the corsets and crinolines of the mid-to-late Victorian era,[9] a feature that impressed the American writer Henry James when he wrote to his sister in 1869 of the bohemian atmosphere of the Morrises’ house in the Bloomsbury district of London and, in particular, the "dark silent medieval" presence of its chateleine:
Among female Bohemians in the early 20th century, the "gypsy look" was a recurring theme, popularised by, among others, Dorothy "Dorelia" McNeill (1881–1969), muse, lover and second wife of the painter Augustus John (1878–1961), whose full skirts and bright colours gave rise to the so-called "Dorelia look".[41] Katherine Everett, née Olive, a former student of the Slade School of Art in London, has described McNeil's "tight fitting, hand-sewn, canary coloured bodice above a dark gathered flowing skirt, and her hair very black and gleaming, emphasiz[ing] the long silver earrings which were her only adornment".[42]
How to wear this season's best dresses? Try a matching two-piece set with leather mules for a totally of-the-moment look. Or a boho maxi with maximum impact when paired with the right long necklace. We have cute casual day dresses that are perfect for a busy day of meeting with friends, traveling and transitioning from indoor gatherings to outside celebrations. Explore cotton tunics and midi dresses that are great for throwing in an overnight bag, or rompers and jumpsuits for when you'd rather stand out than blend in. Choose the right neckline for you, from plunging to scoop necks and modest high necks. No matter the occasion, you deserve the perfect dress that brings out the best in you.
At its foundation, the bohemian lifestyle is truly what inspires White Bohemian to deliver the collection of brands that we do. Not only do we offer contemporary bohemian clothing, but we also offer a charming selection of boho bags. Wear your boho bags whilst sailing across the oceans of Bali in a kimono and a swimsuit, or team with a bodysuit and denim cut offs whilst skipping your way through a festival.
Vintage style and Bohemian chic at its best! Large organically inspired matte semi-hoop earrings retreat back to a more natural setting and mood. The tree branch details bring life and color to your vintage look. This Native American inspired tree branch earrings set is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas.Let your free spirit fly with these bohemian earrings. A style that adds vintage elegance to any leisure day outfit can also be worn for your forma...
On the face of it, Carroll (a pseudonym for Charles Lutwidge Dodgson) had been a rather conventional and repressed Oxford University don, but he was a keen and artistic photographer in the early days of that medium (taking, among other things, rather bohemian looking pictures of Alice Liddell and other young girls)[116] and he developed an empathy and friendship with several of the Pre-Raphaelites;[117] the sculptor Thomas Woolner and possibly even Rossetti dissuaded him from illustrating Alice himself,[118] a task that was undertaken instead by John Tenniel. The imagery of Alice, both textually and graphically, lent itself well to the psychedelia of the late 1960s.[119] In America, this was apparent in, among other ways, the "Alice happening" in Central Park, New York (1968) when naked participants covered themselves in polka dots[120] and the lyrics to Grace Slick's song "White Rabbit" (1966) – "One pill makes you larger/And one pill makes you small" – that she performed with both the Great Society and Jefferson Airplane, including with the latter at Woodstock in 1969.
A biographer of Edward Burne-Jones, writing a century after Shaw (Fiona MacCarthy, 2011), has noted that, in 1964, when the influential Biba store was opened in London by Barbara Hulanicki, the "long drooping structureless clothes", though sexier than the dresses portrayed in such Burne-Jones paintings as The Golden Stairs or The Sirens, nevertheless resembled them.[12] The interior of Biba has been described by the biographer of British 20th century designer Laura Ashley as having an atmosphere that "reeked of sex ... [It] was designed to look like a bordello with its scarlet, black and gold plush fitments, but, interestingly, it implied an old-fashioned, Edwardian style of forbidden sex with its feather boas, potted palms, bentwood coat racks and dark lighting"[13] MacCarthy observed also that "the androgynous appearance of Burne-Jones's male figures reflected the sexually ambivalent feeling" of the late 1960s.[14]

This vintage inspired necklace with an adjustable dark brown leather cord tie necklace is accented with a matte gold tone fireball of black diamond hued Swarvoski crystals elements and hand wrapped wax linen screams tribal with a modern twist. It will add an adventurous, natural flow to your lifestyle. It’s a perfect way to express your bohemian jewelry creativity and it’s a great addition to accessorize your wardrobe. It will inspire you to immerse yourself in subtle adventure. This handcraf...
This fusion of influences was discernible in two black-and-white productions for BBC television in 1966: the series Adam Adamant Lives!, starring Gerald Harper as an Edwardian adventurer who had been cryopreserved in time and Juliet Harmer as Georgina Jones, a stylish "mod" who befriended him, and Jonathan Miller's dreamy, rather Gothic production of Lewis Carroll's mid-Victorian children's fantasy Alice in Wonderland (1865).[114] (Confirming the aspiration, Sydney Newman, the BBC's Head of Television Drama in the 1960s, reflected of Adam Adamant that "[they] could never quite get [the] Victorian mentality to contrast with the '60s".[115])

Bohemian chic at its best! Retreat back into a natural glow with this copper-tone finish tree branch. The realistic, simple texture of the bangle reflects the true wealth of vintage beauty. This designer vintage inspired piece is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas. Let your free spirit fly with this bohemian bangle. The Tree of life symbolism has a long history, crossing many cultures. A style that adds vintage elegance to any leisure day outfit can...
A biographer of Edward Burne-Jones, writing a century after Shaw (Fiona MacCarthy, 2011), has noted that, in 1964, when the influential Biba store was opened in London by Barbara Hulanicki, the "long drooping structureless clothes", though sexier than the dresses portrayed in such Burne-Jones paintings as The Golden Stairs or The Sirens, nevertheless resembled them.[12] The interior of Biba has been described by the biographer of British 20th century designer Laura Ashley as having an atmosphere that "reeked of sex ... [It] was designed to look like a bordello with its scarlet, black and gold plush fitments, but, interestingly, it implied an old-fashioned, Edwardian style of forbidden sex with its feather boas, potted palms, bentwood coat racks and dark lighting"[13] MacCarthy observed also that "the androgynous appearance of Burne-Jones's male figures reflected the sexually ambivalent feeling" of the late 1960s.[14]
^ In 2013 The Oldie published a cartoon depicting women suffragettes of the early 20th century with the caption "... but I'm not sure about this proposal to burn our whalebone corsets" (Oldie, February 2013). A pragmatic 21st-century view was that "feminism is not about burning your bra in the street. It is about [among other things] women getting up in the morning and leaving the house to go to a job that pays them an actual wage ..." (Laura Smith, letter in Metro, 30 October 2012).
This vintage style necklace with two Swarovski crystals elements black diamond hued fireballs fall from a delicate vintage Y-drop lariat necklace that measures 30" long and screams tribal with a modern twist. It will add an adventurous, natural flow to your lifestyle. It’s a perfect way to express your bohemian jewelry creativity and it’s a great addition to accessorize your wardrobe. It will inspire you to immerse yourself in subtle adventure. This handcrafted necklace makes a perfect afford...
^ Dirk Maxeiner; Michael Miersch (in German), Alles grün und gut? Eine Bilanz des ökologischen Denkens, Albrecht Knaus Verlag, ISBN 978-3-641-14310-7. Retrieved 2015-09-27 (All green and well now? A balance sheet of ecological thinking) The Quote is used in a section of chapter 6 and attributed to Rutschky, he (no direct reference found in the Book) used it in a FAZ review of Sven Reichardts Suhrkamp volume Authentizität und Gemeinschaft

Jimmy Page of the British band Led Zeppelin, who collected Pre-Raphaelite paintings, observed of Edward Burne-Jones that "the romance of the Arthurian legends [captured in his paintings] and the bohemian life of the artists who were reworking these stories seemed very attuned to our time",[90] while the author David Waller noted in 2011 that Burne-Jones' subjects "have much in common with the sixties rock chicks and their pop-star paladins".[91]
^ Though more conventional in many ways than Jane Morris, Georgie Burne-Jones was becoming "a bit of a bohemian" even in the early days of her marriage; for example, she would ask her maid to model for sketches in mid-morning, whereas a typical bourgeois wife would have given priority to the housework: Fiona MacCarthy (2011) The Last Pre-Raphaelite.
i've had mine for About a week. and i do love it. i use it as a crossbody im 5'6 and the dip of the bag at the zipper comes perfectly at my hip. it is thin but i do like it i am debating of putting something else in just so it dosnt cause to much stress on the actual bag. it is very roomy. i like how its one pocket and one zipper pocket inside. to many makes the bag sag to me. for the pocket one i used a iphone 6 for size and i didnt put it in all the way just to show how big it is. even with it not in there was still a inch if depth left. i really love how it isnt big or wide. i like how it just rests on your side and is flat. i an going to ... full review

^ Suzanne Fagence Cooper (2010) The Model Wife: The Passionate Lives of Effie Gray, Ruskin and Millais. Florence Nightingale's observations regarding the foxgloves are noted in correspondence of her friend, the novelist Elizabeth Gaskell, whose acquaintance with Effie Ruskin dated back to their schooldays. However, it is unclear when Nightingale herself met Effie: Cooper, op.cit, footnote 85. (Gaskell was especially well connected. In 1861, for example, she was part of a house party at Fryston Hall, Yorkshire given by Richard Monckton Milnes – a persistent suitor of Florence Nightingale – that included also the MP William Forster, Austen Layard, who excavated the biblical city of Ninevah, and the American (Union) Minister in London, Charles Francis Adams. Gaskell was among a group visiting nearby Pomfret Castle when Adam received news of the Trent incident that, in the early stages of the American Civil War almost brought Britain and the Union to war: see Amanda Foreman (2010) A World on Fire.)


Vintage style Native American inspired jewelry and Bohemian chic at its best! An adjustable brown leather cord is wrapped with black wax linen and features a black diamond hued Swarovski crystals elements fireball at the center. This adjustable vintage inspired black diamond bracelet is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas. Let your free spirit fly with this bohemian adjustable bracelet. It’s a perfect way to express your creativity and it’s a great a...
Boho style is known for incorporating many different kinds of fabrics, textures, and details that are uncommon in most modern fashion. Crochet, embroidery, lace and fringe are all details and textures that really shine in the boho style. Because the bohemian style was really born out of an attitude of freedom to be yourself, being boho chic is best achieved by being who you are and loving what you wear. To follow the boho chic "trend" we definitely recommend long flowy maxi skirts, cute crochet crop tops, flat sandals or western inspired boots and as much fun jewelry as you can pile on!
Slouchy, distressed booties seem to be boho girls Mary-Kate Olsen and Vanessa Hudgens' staples. I prefer styles that are loose around the ankles, so they're perfect for wearing with both shorter skirts and tucking into skinny jeans. It's up to you whether you want a heel or not, but make sure the heel isn't too high or skinny so your boots will stay comfortable while watching concerts or walking to class.
This 16" Silver Tone Brass and Pewter Round Hoop Necklace will complement any skin complexion. Brass jewelry is great for the summer. Our round hoops are linked together offering a harmonious and positive style and outlook. This handcrafted 16" Adjustable Necklace is sure to make a perfect affordable gift for a loved one. This style will inspire a “coexist peacefully” attitude and is popular amongst the boho chic, whimsical like-minded fashionistas.
Vintage style Native American inspired jewelry and Bohemian chic at its best! A boho-chic pair of arrowhead chandelier earrings embellished with an amber hued Swarovski crystals elements bead and green/bronze Baroque glass pearl. This Native American inspired vintage chandelier earrings set is a favorite amongst the boho chic, artistic, spiritual like-minded fashionistas. Let your free spirit fly with these bohemian earrings. A style that adds vintage elegance to any leisure day outfit can al...
American influences had been discouraged during the Nazi occupation of France, but, notably in the form of be-bop and other types of jazz, were strong among intellectual café society in the mid-to-late 1940s.[61] In 1947, Samedi-Soir lifted the lid on what it called the "troglodytes of Saint-Germain",[62] namely bohemians of the Parisian Left Bank (Rive Gauche) district of Saint-Germain-des-Prés, who appeared to cluster around existentialist philosopher Jean-Paul Sartre. These included Roger Vadim (who married and launched the career of actress Brigitte Bardot in the 1950s), novelist Boris Vian (since described as "the epitome of Left Bank bohemia, standing at the center of its postwar rehabilitation"[63]) and singer Juliette Gréco.
In his play Pygmalion (1912) Bernard Shaw unmistakably based the part of Mrs. Higgins on the then elderly Jane Morris. Describing Mrs. Higgins' drawing room, he referred to a portrait of her "when she defied the fashion of her youth in one of the beautiful Rossettian costumes which, when caricatured by people who did not understand, led to the absurdities of popular estheticism [sic] in the eighteen-seventies".[11]
Armbandjes met Miyuki Delica kraaltjes, prachtige subtiele armbandjes. Maar ook Boho Beadies, armbandjes met seadbead glaskraaltjes. Of ga je voor  stijlvolle Boho haaraccessoires. Boho Jewelry gebruikt natuurlijke materialen waaronder halfedelsteen en DQ (Designer quality). Wil je op de hoogte blijven van de nieuwste sieraden? Volg Boho Jewelry dan via Instagram, Facebook en Pinterest   
At the liberation of Paris in 1944, the American journalist Ernie Pyle observed that the women were all "brightly dressed in white or red blouses and colourful peasant skirts, with flowers in their hair and big flashy earrings."[64] while Lady Diana Cooper, whose husband, Duff Cooper, became British Ambassador to Paris that year, wrote that, during the occupation, Parisienne women had worn "grotesquely large hats hung with flowers and fruits and feathers and ribbons" as well as high carved wooden shoes.[65] However, in contrast to such striking bohemian adornments and subsequently the "New Look" (which itself scandalised some Parisennes), the clothes of the post-war bohemians were predominantly black: when Gréco first performed outside Saint-Germain she affronted some of her audience by wearing "black trousers, her bare feet slipped into golden sandals".[66] In old age she claimed that this style of dress arose from poverty:

Around 1926 an even shorter style, known as the "Eton crop", became popular:[29] on her arrival in Tilling (Rye) in E F Benson's comic novel Mapp and Lucia (1931), Lucia described "Quaint" Irene as "a girl with no hat and an Eton crop. She was dressed in a fisherman's jersey and knickerbockers". (In the same book, Miss Mapp frequently – and topically – addressed Lucia, to her irritation, as "Lulu".) For many years trite assumptions were often made about the sexuality of women with cropped hairstyles; an historian of the 1980s wrote of the Greenham Common "peace camp" in England that it "brought public awareness to feminist separation and even to lesbianism, hitherto seen in the mass media – when acknowledged at all – either in terms of Eton-cropped androgyny or of pornographic fantasy".[52] Even so, others have drawn a stark contrast between the bohemian demeanour of the Greenham women and the "bold make-up and power-dressing" that tended to define women's fashion more generally in the 1980s[53] (the so-called "designer decade").
Love the vibrant colors (photo is accurate for brightness and colors), the flow of this dress, and of course the pockets. I bought size small and medium not knowing which size would be best based on other reviews. The small fits perfect except like other people have said, the arm area is a little too small. The medium was way too big on my chest though. I would recommend to buy your “usual” size unless you have a larger chest and/or broad shoulders, then likely go a size up. I don’t think the dress is that heavy; it’s pretty light and comfortable. Would buy again!

Around 1926 an even shorter style, known as the "Eton crop", became popular:[29] on her arrival in Tilling (Rye) in E F Benson's comic novel Mapp and Lucia (1931), Lucia described "Quaint" Irene as "a girl with no hat and an Eton crop. She was dressed in a fisherman's jersey and knickerbockers". (In the same book, Miss Mapp frequently – and topically – addressed Lucia, to her irritation, as "Lulu".) For many years trite assumptions were often made about the sexuality of women with cropped hairstyles; an historian of the 1980s wrote of the Greenham Common "peace camp" in England that it "brought public awareness to feminist separation and even to lesbianism, hitherto seen in the mass media – when acknowledged at all – either in terms of Eton-cropped androgyny or of pornographic fantasy".[52] Even so, others have drawn a stark contrast between the bohemian demeanour of the Greenham women and the "bold make-up and power-dressing" that tended to define women's fashion more generally in the 1980s[53] (the so-called "designer decade").
In the mid-to-late 1980s, variants of the short and fundamentally un-Bohemian rah-rah skirt (which originated with cheerleaders) were combined with leather or demin to create a look with some Bohemian or even gothic features (for example, by the singing duo Strawberry Switchblade who took inspiration from 1970s punk fashion[129]). In the 1990s the term, "hippie chic", was applied to Tom Ford’s collections for the Italian house of Gucci. These drew on, among other influences, the style, popular in retrospect, of Talitha Getty (died 1971), actress wife of John Paul Getty and step-granddaughter of Dorelia McNeil, who was represented most famously in a photograph of her and her husband taken by Patrick Lichfield in Marrakesh, Morocco in 1969.[130] Recalling the influx of hippies into Marrakesh in 1968, Richard Neville, then editor of Oz, wrote that "the dapper drifters in embroidered skirts and cowboy boots were so delighted by the bright satin '50s underwear favoured by the matrons of Marrakesh that they wore them outside their denims à la Madonna [the singer] twenty-five years later".[131]
Jimmy Page of the British band Led Zeppelin, who collected Pre-Raphaelite paintings, observed of Edward Burne-Jones that "the romance of the Arthurian legends [captured in his paintings] and the bohemian life of the artists who were reworking these stories seemed very attuned to our time",[90] while the author David Waller noted in 2011 that Burne-Jones' subjects "have much in common with the sixties rock chicks and their pop-star paladins".[91]

By this time, such movements as the Rational Dress Society (1881), with which the Morrises and Georgiana Burne-Jones were involved, were beginning to exercise some influence on women's dress, although the pre-Raphaelite look was still considered "advanced" in the late years of the 19th century.[22] Queen Victoria's precocious daughter Princess Louise, an accomplished painter and artist who mixed in bohemian circles, was sympathetic to rational dress and to the developing women's movement generally (although her rumoured pregnancy at the age of 18 was said to have been disguised by tight corsetry).[23] However, it was not really until the First World War that "many working women ... embarked on a revolution in fashion that greatly reduced the weight and restrictions imposed on them by their clothing".[24] Some women working in factories wore trousers and the brassiere (invented in 1889 by the feminist Herminie Cadolle[25] and patented in America by Mary Phelps Jacob in 1914) began gradually to supersede the corset.[26] In shipyards "trouser suits" (the term, "pantsuit" was adopted in America in the 1920s) were virtually essential to enable women to shin up and down ladders.[27] Music hall artists also helped to push the boundaries of fashion; these included Vesta Tilley, whose daring adoption on stage of well tailored male dress not only had an influence on men's attire, but also foreshadowed to an extent styles adopted by some women in the inter-war period. It was widely understood that Tilley sought additional authenticity by wearing male underclothing, although off stage she was much more conventional in both her dress and general outlook.[28]
Beatlemania did not of itself create the apparent iconoclasm of the 1960s; however, as one writer put it, "just as Noël Coward and Cole Porter reflected the louche, carefree attitude of the [Nineteen] Twenties, so did the Beatles' music capture the rhythm of breaking free experienced by an entire generation of people growing up in the Sixties".[13] By the middle of the decade, British pop music had stimulated the fashion boom of what Time called “swinging London”.[110] Associated initially with such "mod" designs as Quant's mini-skirt, this soon embraced a range of essentially Bohemian styles. These included the military and Victorian fashions popularised by stars who frequented boutiques such as Granny Takes a Trip, the "fusion of fashion, art and lifestyle" opened by Nigel Waymouth in the King's Road, Chelsea in January 1966,[111] and, by 1967, the hippie look largely imported from America (although, as noted, London stores such as Biba had, for some time, displayed dresses that drew on Pre-Raphaelite imagery[112]). The Rolling Stones' Keith Richards, whose early girl friend, Linda Keith, had, in her late teens, been a bohemian force in West Hampstead, noted on the Stones' return from an American tour in 1967 how quickly hippiedom had transformed the London scene.[113]
Show your traveling free spirit and start wandering around in a bohemian maxi dress. One of the most beautiful pieces of cloth someone must definitely own in their closet. Try a boho beach dress with white printed patterns, and rock your evenings at the beach. Combine with a beige puffy bag and some beige/brown sandals. Don't forget a dramatic necklace!
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